Aussie mainstream media criticises government’s censorship overreach as Elon Musk’s X threatens to sue. Have we reached a cultural tipping point?
On Australian prime time TV this week, panelists on current affairs show The Project questioned the wisdom of government agencies singling out social media posts for removal, particularly on subjective topics like gender ideology.
The segment marks what may be viewed as a cultural tipping point in years to come.
On Thursday night, The Project covered the latest instalment in an ongoing spat between social media platform X (formerly Twitter) and Australia’s online safety regulator, eSafety.
It’s a Goliath vs. Goliath drama that has occupied much of the internet over the past month, and it all started with a social media post.
In February, Canadian activist Chris Elston — known as ‘Billboard Chris’ for wearing a billboard in public carrying messages against practicing gender medicine on children — posted to X:
“This woman (yes she’s a female) is part of a panel of 20 ‘experts’ hired by the WHO to draft their policy on caring for ‘trans people.’ People who belong in psychiatric wards are writing the guidelines for people who belong in psychiatric wards.”
The caption was accompanied by a link to a salacious Daily Mail article detailing the trans-identifying female to male, Teddy Cook’s X-rated proclivities.
The following month, Australia’s online safety regulator, eSafety, issued X with a removal notice, threatening an almost $800,000 fine and civil penalty proceedings if the offending post was not taken down within 24 hours.
The removal notice hinged on eSafety’s determination that an “ordinary, reasonable person” would conclude that the post was “intended to cause serious harm to the Complainant.” Remember this — we will come back to it soon.
The story was picked up on Thursday by The Project, a mildly progressive, weeknight dinner-time show whose panelists represent the white-bread urban mainstream. While popular in its earlier runs, The Project has struggled in ratings in recent years, perhaps in part due to the challenge of trying to remain interesting while offending no one.
This is not a show that pushes the envelope. On the rare occasions that it does, the backlash is swift and the apologies floweth forth — as when the airing of a dirty Jesus joke made by a professional drag artist caused a national uproar last year, for which The Project swiftly repented.
So when The Project covers an issue, and when the panelists offer a consensus opinion on it, you can bet that the issue and the opinion sit safely within the Overton window. These are the opinions of ordinary, reasonable people.
With this in mind, consider that The Project interviewed Elston for this segment and let him make his case in his own words, rather than speaking for him and characterising him as a ‘far-right transphobe,’ as mainstream media have been inclined to do when reporting on this topic.
In balanced journalistic style, the segment featured two main interviewees, Elston and trans activist Katherine Wolfgramme, who were given equal airtime.
Then consider that The Project went ahead with the following grabs from Elston’s interview:
“I’m on a mission to end what I consider to be child abuse all across the world, the business of trying to change the sex of children.
“I don’t think any unelected bureaucrat, or any elected bureaucrat for that matter, should be determining what we’re allowed to say online.
“There was no incitement to violence… this was just my opinion, and I’m entitled to it.”
The segment also featured footage of Elston wearing a billboard stating “CHILDREN CANNOT CONSENT TO PUBERTY BLOCKERS.”
Screenshot from The Project, 4 April 2024
The Project producers considered the above image safe to run, without overtly distancing themselves with ‘transphobe’ framing.
A voice-over asked viewers, “Has government censorship gone too far, or was eSafety’s action a necessary measure to keep vulnerable Australians safe?”
Host Waleed Aly picked up the thread. “Do we want the government scanning X and picking out individual tweets that it doesn’t like?”
His ordinary, reasonable co-hosts seemed to think not. On the government policing hate on the internet, panelist Jessie Stephens asked what viewers at home were no doubt thinking: “What else is the internet for? That’s what the internet is.”
“I guess the question is about where the line is,” said Stephens, adding that “for one person what’s harassment or abuse is another person’s free speech or another person’s political or personal opinion.”
Another panelist, Georgie Tunny, was worried about online hate directed towards the trans community, but said, “I do find this perplexing… putting all of this effort on this one particular tweet.”
“And now we’re all talking about the tweet more than we would if we’d never reported it,” laughed Stephens.
Indeed, millions of people who would never have seen the social media post censored by eSafety have now seen it on the internet… and the news… and TV, and are having discussions about its content and eSafety’s attempt to censor it.
We need your help. The continued existence of the Daily Declaration depends on the generosity of readers like you. Donate now. The Daily Declaration is committed to keeping our site free of advertising so we can stay independent and continue to stand for the truth.
Fake news and censorship make the work of the Canberra Declaration and our Christian news site the Daily Declaration more important than ever. Take a stand for family, faith, freedom, life, and truth. Support us as we shine a light in the darkness. Donate now.
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‘Highly Disturbing’: Australian Government Censorship Gone Too Far
10 April 2024
7.3 MINS
Aussie mainstream media criticises government’s censorship overreach as Elon Musk’s X threatens to sue. Have we reached a cultural tipping point?
On Australian prime time TV this week, panelists on current affairs show The Project questioned the wisdom of government agencies singling out social media posts for removal, particularly on subjective topics like gender ideology.
The segment marks what may be viewed as a cultural tipping point in years to come.
On Thursday night, The Project covered the latest instalment in an ongoing spat between social media platform X (formerly Twitter) and Australia’s online safety regulator, eSafety.
It’s a Goliath vs. Goliath drama that has occupied much of the internet over the past month, and it all started with a social media post.
In February, Canadian activist Chris Elston — known as ‘Billboard Chris’ for wearing a billboard in public carrying messages against practicing gender medicine on children — posted to X:
The caption was accompanied by a link to a salacious Daily Mail article detailing the trans-identifying female to male, Teddy Cook’s X-rated proclivities.
The following month, Australia’s online safety regulator, eSafety, issued X with a removal notice, threatening an almost $800,000 fine and civil penalty proceedings if the offending post was not taken down within 24 hours.
The removal notice hinged on eSafety’s determination that an “ordinary, reasonable person” would conclude that the post was “intended to cause serious harm to the Complainant.” Remember this — we will come back to it soon.
X complied, removing the post from Australian browsers, but upped the ante with a counter-threat to sue eSafety. Elston is now initiating his own appeal, with assistance from the Free Speech Union of Australia.
The Project Covers the Censorship Scandal
The story was picked up on Thursday by The Project, a mildly progressive, weeknight dinner-time show whose panelists represent the white-bread urban mainstream. While popular in its earlier runs, The Project has struggled in ratings in recent years, perhaps in part due to the challenge of trying to remain interesting while offending no one.
This is not a show that pushes the envelope. On the rare occasions that it does, the backlash is swift and the apologies floweth forth — as when the airing of a dirty Jesus joke made by a professional drag artist caused a national uproar last year, for which The Project swiftly repented.
So when The Project covers an issue, and when the panelists offer a consensus opinion on it, you can bet that the issue and the opinion sit safely within the Overton window. These are the opinions of ordinary, reasonable people.
With this in mind, consider that The Project interviewed Elston for this segment and let him make his case in his own words, rather than speaking for him and characterising him as a ‘far-right transphobe,’ as mainstream media have been inclined to do when reporting on this topic.
In balanced journalistic style, the segment featured two main interviewees, Elston and trans activist Katherine Wolfgramme, who were given equal airtime.
Then consider that The Project went ahead with the following grabs from Elston’s interview:
The segment also featured footage of Elston wearing a billboard stating “CHILDREN CANNOT CONSENT TO PUBERTY BLOCKERS.”
Screenshot from The Project, 4 April 2024
The Project producers considered the above image safe to run, without overtly distancing themselves with ‘transphobe’ framing.
A voice-over asked viewers, “Has government censorship gone too far, or was eSafety’s action a necessary measure to keep vulnerable Australians safe?”
Host Waleed Aly picked up the thread. “Do we want the government scanning X and picking out individual tweets that it doesn’t like?”
His ordinary, reasonable co-hosts seemed to think not. On the government policing hate on the internet, panelist Jessie Stephens asked what viewers at home were no doubt thinking: “What else is the internet for? That’s what the internet is.”
“I guess the question is about where the line is,” said Stephens, adding that “for one person what’s harassment or abuse is another person’s free speech or another person’s political or personal opinion.”
Another panelist, Georgie Tunny, was worried about online hate directed towards the trans community, but said, “I do find this perplexing… putting all of this effort on this one particular tweet.”
“And now we’re all talking about the tweet more than we would if we’d never reported it,” laughed Stephens.
Indeed, millions of people who would never have seen the social media post censored by eSafety have now seen it on the internet… and the news… and TV, and are having discussions about its content and eSafety’s attempt to censor it.
“This is the Streisand effect in full bloom,” said Elston of the media juggernaut.
Australian Censorship in the Spotlight
About the Author: Rebekah Barnett
Australia / COMMENTARY / Fairness & Justice / Freedom / Gender / Politics / Safety & Security / World
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We need your help. The continued existence of the Daily Declaration depends on the generosity of readers like you. Donate now. The Daily Declaration is committed to keeping our site free of advertising so we can stay independent and continue to stand for the truth.
Fake news and censorship make the work of the Canberra Declaration and our Christian news site the Daily Declaration more important than ever. Take a stand for family, faith, freedom, life, and truth. Support us as we shine a light in the darkness. Donate now.
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